As I write, Bernard Walsh and Shane Fitzharris of The Irishman Whiskey are at Vinexpo in Bordeaux, launching a new look, and a new whiskey. Here's a shot of the new livery:
The Irishman 70, it looks to me, is now The Irishman Founders Reserve. The Irishman Single Malt, with no age statement (but which is at least 10 years old), remains.
And then there is the new Irishman Single Malt, 12 Year Old. This is all first-fill bourbon cask and bottled at 43%. It's limited to 6,000 bottles.
There was a preview of this 12 year old late last year. It had a similar profile but, of course, was a distinct and much smaller batch.
When I get more detailed photos and information on the rebranding, I'll update this post.
Monday 17 June 2013
Friday 14 June 2013
Teeling Silver Reserve 21 Year Old Single Malt
The Teeling Whiskey Company today launched it's Silver Reserve 21 Year Old Single Malt. This is the first in a series of three small batch releases containing some of the oldest single malt Irish whiskey ever bottled. Still to come are a 25-year old ("Gold") and a 30-year old ("Platinum").
It's a double-distilled Irish single malt, but you shouldn't draw any conclusion from that as to where, precisely, it was made. It was distilled in 1991 and matured first in bourbon casks. It was then allowed to marry for 10 months in Sauternes casks (Sauternes is a sweet French white wine) before bottling at 46%. It is the first ever Irish whiskey finished in Sauternes.
There are only 5,000 bottles in this limited release and it will sell for about €150 (USD$185 / GBP£125). It's initially available in Ireland at Dublin Airport, the Celtic Whiskey Shop and quality independent off licences. It will then be rolled out to international markets such as the UK, Canada, Belgium, Germany and France.
It's a double-distilled Irish single malt, but you shouldn't draw any conclusion from that as to where, precisely, it was made. It was distilled in 1991 and matured first in bourbon casks. It was then allowed to marry for 10 months in Sauternes casks (Sauternes is a sweet French white wine) before bottling at 46%. It is the first ever Irish whiskey finished in Sauternes.
There are only 5,000 bottles in this limited release and it will sell for about €150 (USD$185 / GBP£125). It's initially available in Ireland at Dublin Airport, the Celtic Whiskey Shop and quality independent off licences. It will then be rolled out to international markets such as the UK, Canada, Belgium, Germany and France.
Monday 10 June 2013
"From Fields of Gold" - Irish whiskey conference
Youghal, in County Cork, is hosting a two-day conference on Irish whiskey on September 28th/29th. I met the conference chairman, John Kelly, at a recent society tasting and he was kind enough to give me a preview of what we can look forward to. I've included a list of the talks below. The comments are my own.
The Distinctiveness of Richard Boyle as first Earl of Cork
Prof Nicholas Canny (NUI Galway)
We know Cork was already making the good stuff 400 years ago because Richard Boyle gave Sir Walter Raleigh 32 gallons of Irish whiskey as he set off for the New World.
Whiskey Worlds: glimpses into the lives of some Cork distilling families
Dr Alicia St Leger
'There's whiskey in the jar': some thoughts on the history of the Irish distilling industry 1800-1922
Dr Andy Bielenberg
Dr Bielenberg is the author of Locke's Distillery, a History.
Cats, Bats and Whiskey - Establishing a Corporate Archive for Irish Distillers
Stephen Franck
Irish Distillers has quite recently begun to collect and preserve historical material related to its brands and former distilleries. No doubt there is much surprising detail to be mined from this archive so I'll be interested to hear what has turned up.
Innovation: the success of Irish Distilling
Barry Crockett
Barry Crockett is the recently retired Master Distiller at Midleton, a legend in the business.
The Rise and Fall and Rise again of Irish Whiskey
Peter Mulryan
Peter Mulryan is a well-known writer on Irish whiskey.
Cakes and ale: the role of bread and beer in the domestic economy of medieval monasteries
Br Colmán Ó Clabaigh OSB
Brother Ó Clabaigh of Glenstal Abbey reminds us that it was the monks who brought distillation to Ireland in the first place.
Imageries, sensualities and the Water of Life: Harry Clarke's illustrations for Messrs John Jameson & Sons
Dr Anglea Griffith
I came across Harry Clarke's illustrations for a 1924 John Jameson promotional booklet in the National Library. I only knew of him as a stained glass artist before that. Dr Griffith, from the Department of the History of Art and Architecture, TCD, will introduce his illustrative work.
Johnny Jumped Up!: Whiskey in the Irish song tradition
Dr Dáibhí Ó Cearnaigh
There will also be a walking tour of Youghal, an excursion to the Old Midleton Distillery, and a "Whiskey-themed conference dinner".
It all adds up to an unmissable weekend for me!
The Distinctiveness of Richard Boyle as first Earl of Cork
Prof Nicholas Canny (NUI Galway)
We know Cork was already making the good stuff 400 years ago because Richard Boyle gave Sir Walter Raleigh 32 gallons of Irish whiskey as he set off for the New World.
Whiskey Worlds: glimpses into the lives of some Cork distilling families
Dr Alicia St Leger
'There's whiskey in the jar': some thoughts on the history of the Irish distilling industry 1800-1922
Dr Andy Bielenberg
Dr Bielenberg is the author of Locke's Distillery, a History.
Cats, Bats and Whiskey - Establishing a Corporate Archive for Irish Distillers
Stephen Franck
Irish Distillers has quite recently begun to collect and preserve historical material related to its brands and former distilleries. No doubt there is much surprising detail to be mined from this archive so I'll be interested to hear what has turned up.
Innovation: the success of Irish Distilling
Barry Crockett
Barry Crockett is the recently retired Master Distiller at Midleton, a legend in the business.
The Rise and Fall and Rise again of Irish Whiskey
Peter Mulryan
Peter Mulryan is a well-known writer on Irish whiskey.
Cakes and ale: the role of bread and beer in the domestic economy of medieval monasteries
Br Colmán Ó Clabaigh OSB
Brother Ó Clabaigh of Glenstal Abbey reminds us that it was the monks who brought distillation to Ireland in the first place.
Imageries, sensualities and the Water of Life: Harry Clarke's illustrations for Messrs John Jameson & Sons
Dr Anglea Griffith
I came across Harry Clarke's illustrations for a 1924 John Jameson promotional booklet in the National Library. I only knew of him as a stained glass artist before that. Dr Griffith, from the Department of the History of Art and Architecture, TCD, will introduce his illustrative work.
Johnny Jumped Up!: Whiskey in the Irish song tradition
Dr Dáibhí Ó Cearnaigh
There will also be a walking tour of Youghal, an excursion to the Old Midleton Distillery, and a "Whiskey-themed conference dinner".
It all adds up to an unmissable weekend for me!
Friday 31 May 2013
Bloom festival roundup
I spent most of yesterday at the Bloom festival in the Phoenix Park, Dublin. It's an annual celebration of Irish gardening, crafts and artisan food & drink. The weather was so fine yesterday that 150,000 people turned up! It continues until bank holiday Monday and I recommend it highly if you want to meet the most interesting and creative Irish producers and sample their wares.
I got a preview of some coming attractions in Irish spirits...
Stonewell Apple Brandy
I made a beeline for Stonewell Cider's Daniel Emerson to see how his plans for an apple brandy had progressed since I last met him. The great news is that the first batch of spirit is due to be distilled within days.
The base cider is more or less Stonewell Dry Cider, blended from individually fermented Dabinett and Michelin apple varieties. It will then be aged in ex-Bordeaux white wine casks for a few years. Just two 250-litre casks will be filled initially but, if all goes well, there are eight more standing by in the wings.
While you're waiting for the brandy to mature, you can sample Stonewell's new low-alcohol (1.5%) cider, Tobairín. The alcohol level is a consequence of the process by which it's made; it is not de-alcoholised normal-strength cider. As far as I know, it is the only such Irish cider.
Teeling Whiskey Company
Both Jack Teeling and Alex Chasko are manning the stand at Bloom so it's a great chance to meet the creators behind this new and exciting whiskey company. The poitín and blend are there too, of course, in their eye-catching bottles, along with a couple of cocktails that showcase the flavours of the spirits.
It was great to hear that the blend is rapidly making its way around the world. It's already on sale in Ireland, the UK, Belgium, Australia, New Zealand, Canada and various airports around Europe. It's on the point of release in Hong Kong and distribution deals are close in Russia and other parts of Europe. TWC's technical mastery of distillation and blending is clearly matched by its depth of marketing expertise.
The backdrop of the TWC stand showed the forthcoming 21-year old Silver Vintage Reserve Single Malt. It's slated for bottling at the end of next week. No doubt I will have more details to report when it's finally released. The price point will be around €150.
There will also be an 11-year old single malt bottled for Dublin Airport to mark The Gathering. It's due out this summer, so we should see that pretty soon.
Carlow Brewing Company
I didn't hear anything new about the distilling in Carlow but I did find out what had been done with a few Irish whiskey casks that I saw during my visit there.
In 2-3 weeks' time, they will release a version of their Leann Folláin stout that has been aged for 90 days in these oak casks. Only around 2,300 numbered 750ml bottles will be produced, at 8.1% ABV. Look for it in independent off licences.
West Cork Distillers
I met John O'Connell, Director and Founder of West Cork Distillers. This is a company based in Union Hall in Cork that produces various whiskeys and spirits under their own brands and under contract for other companies. It was also recently revealed that the company is going to revive distilling in Bandon.
There have been intriguing hints about West Cork Distillers' unique and innovative methods but I haven't been able to uncover the official story before now. Bloom was not the venue for an in depth discussion but I hope to have a longer chat with John in the near future.
I had been expecting them to launch a poitín brand and I caught my first sight of Two Trees yesterday. I didn't realise that the brand would also encompass a vodka and gin. Again, I know very little about these at the moment, but I did taste the poitín and it shares a family resemblance with Glendalough, being made from malted barley and sugar beet.
Marmalade!
I always have a poke around the artisan food stalls at Bloom to see if anyone is doing anything with whiskey. Look what I found: Connemara Smoked Whiskey & Heather Marmalade, from Crossogue Preserves. I'll be breaking the seal on this tonight.
I got a preview of some coming attractions in Irish spirits...
Stonewell Apple Brandy
I made a beeline for Stonewell Cider's Daniel Emerson to see how his plans for an apple brandy had progressed since I last met him. The great news is that the first batch of spirit is due to be distilled within days.
The base cider is more or less Stonewell Dry Cider, blended from individually fermented Dabinett and Michelin apple varieties. It will then be aged in ex-Bordeaux white wine casks for a few years. Just two 250-litre casks will be filled initially but, if all goes well, there are eight more standing by in the wings.
While you're waiting for the brandy to mature, you can sample Stonewell's new low-alcohol (1.5%) cider, Tobairín. The alcohol level is a consequence of the process by which it's made; it is not de-alcoholised normal-strength cider. As far as I know, it is the only such Irish cider.
Teeling Whiskey Company
Both Jack Teeling and Alex Chasko are manning the stand at Bloom so it's a great chance to meet the creators behind this new and exciting whiskey company. The poitín and blend are there too, of course, in their eye-catching bottles, along with a couple of cocktails that showcase the flavours of the spirits.
It was great to hear that the blend is rapidly making its way around the world. It's already on sale in Ireland, the UK, Belgium, Australia, New Zealand, Canada and various airports around Europe. It's on the point of release in Hong Kong and distribution deals are close in Russia and other parts of Europe. TWC's technical mastery of distillation and blending is clearly matched by its depth of marketing expertise.
The backdrop of the TWC stand showed the forthcoming 21-year old Silver Vintage Reserve Single Malt. It's slated for bottling at the end of next week. No doubt I will have more details to report when it's finally released. The price point will be around €150.
There will also be an 11-year old single malt bottled for Dublin Airport to mark The Gathering. It's due out this summer, so we should see that pretty soon.
Carlow Brewing Company
I didn't hear anything new about the distilling in Carlow but I did find out what had been done with a few Irish whiskey casks that I saw during my visit there.
In 2-3 weeks' time, they will release a version of their Leann Folláin stout that has been aged for 90 days in these oak casks. Only around 2,300 numbered 750ml bottles will be produced, at 8.1% ABV. Look for it in independent off licences.
West Cork Distillers
I met John O'Connell, Director and Founder of West Cork Distillers. This is a company based in Union Hall in Cork that produces various whiskeys and spirits under their own brands and under contract for other companies. It was also recently revealed that the company is going to revive distilling in Bandon.
There have been intriguing hints about West Cork Distillers' unique and innovative methods but I haven't been able to uncover the official story before now. Bloom was not the venue for an in depth discussion but I hope to have a longer chat with John in the near future.
I had been expecting them to launch a poitín brand and I caught my first sight of Two Trees yesterday. I didn't realise that the brand would also encompass a vodka and gin. Again, I know very little about these at the moment, but I did taste the poitín and it shares a family resemblance with Glendalough, being made from malted barley and sugar beet.
Marmalade!
I always have a poke around the artisan food stalls at Bloom to see if anyone is doing anything with whiskey. Look what I found: Connemara Smoked Whiskey & Heather Marmalade, from Crossogue Preserves. I'll be breaking the seal on this tonight.
Monday 6 May 2013
New events listing feature
I know it has looked like a bit of a ghost town here over the last month. The truth, though, is that there has been quite a bit of metal-bashing behind the scenes.
Last year I noticed a huge increase in the number of spirits-related events in Ireland. So many that it was hard to keep track of them all. I have now gathered every upcoming event in Ireland that I know of onto a single page. There is a link to it in the menu at the top of the blog too. If you are organising something and it's not already listed, drop me a line or a tweet.
Why did it take so long to create a single web page? Well, in real life I'm a software developer and I took the opportunity to explore some of the latest, industrial strength technologies. The page (and the associated admin screen) is vastly over-engineered but I consider it a template for future, more complex features.
Last year I noticed a huge increase in the number of spirits-related events in Ireland. So many that it was hard to keep track of them all. I have now gathered every upcoming event in Ireland that I know of onto a single page. There is a link to it in the menu at the top of the blog too. If you are organising something and it's not already listed, drop me a line or a tweet.
Why did it take so long to create a single web page? Well, in real life I'm a software developer and I took the opportunity to explore some of the latest, industrial strength technologies. The page (and the associated admin screen) is vastly over-engineered but I consider it a template for future, more complex features.
Sunday 7 April 2013
Knappogue Castle Twin Wood 16 year old
Knappogue Castle continues to explore the possibilities of sherried Bushmills-distilled single malt. We've had a 16-year old Twin Wood before, where the spirit had been finished in sherry wood for 9 months. They upped the sherry stakes a year later with a 17-year old Twin Wood, finished for 21 months.The new 16-year old shares that sherry depth, having also spent 21 months in Oloroso casks (after 14 years, 3 months in bourbon casks).
Well, that's what the press release says but the numbers don't quite add up. The whiskey was distilled in 1995 and bottled in December 2012. At a minimum, the whiskey must be close to 17 years old but it has only spent 16 years in a cask, if you tot up the sherry and bourbon stretches mentioned above. There is a mysterious year unaccounted for!
It's bottled at 40% ABV. There are 4,500 numbered bottles, and they go for $100 each.
Wednesday 6 March 2013
Whiskey & Chocolate
Look at any whiskey review and you'll see a spirit evaluated in stark isolation. Not many can withstand the intense scrutiny that demands perfection in nose, taste and finish. It's the same when we try a whiskey at a whiskey society meeting, or even at home. We just don't envisage it as one part of a larger experience. It must stand or fall alone.
It's a standard that doesn't seem to apply to wine. We know that some wines are good in the hand at a cocktail party, others better kept for washing down the roast duck.
When I do whiskey and food matchings I'm reminded that I'm not getting as much from whiskey as I might. If I combine a sample of whiskey with something else with a complex flavour profile, I can create something new. The whole is not the sum of the parts. It might be better, it might be worse, but it will be something different, and worth exploring.
That bottle on the shelf that I'm avoiding, that's an opportunity, a challenge to figure out what to put alongside its contents that will transform them into something sublime. I could try anything with some complexity, like cheese, chocolate, or even another whiskey.
Last week I co-presented the Irish Whiskey Society's third annual Whiskey & Chocolate tasting with Clementine Agron of Cocoa Atelier. It was the perfect chance to take whiskey out for a well-deserved spin in the wider landscape of flavour. We had plain whiskey, flavoured whiskey, single plantation chocolate, flavoured chocolate and even a whiskey-flavoured chocolate.
I deliberately picked the widest range of "whiskey" (not every bottle was strictly a whiskey) flavours with the (unstated) intention that there would be at least one or two that people did not like. My hope was that the accompanying chocolate would transform that whiskey into something far more pleasurable.
I think that worked out because the least preferred whiskey of the night (the cherry-flavoured bourbon) was also one half of the favourite whiskey-chocolate combination. (You can see all the votes here.)
It took some trial and error to come up with the matches listed below. If you live in Dublin, you might like to try the Cocoa Atelier chocolates with their suggested spirit partners (here are six more from last year). Or just use these pairings as inspiration to discover your own.
Incidentally, Gay Byrne shared his thoughts on the tasting on his Sunday radio show. You can hear the excerpt here (.mp3).
1. Glendalough Poitín & Almond Rocher
2013 is awash in Irish poitíns. I count five brands on the shelves right now with more on the way. This could either be the peak year for the category or the start of something big if drinkers notice and embrace it. I wanted, therefore, to put poitín on the society's radar and included the Glendalough.
It's made from malted barley (and sugar beet) but tastes entirely unlike whiskey so I wasn't sure if it would combine well with chocolate. The Almond Rocher (diced almonds in a praline base coated in milk chocolate) dispelled my doubts entirely.
If poitín succeeds it will be as a cocktail ingredient. I think we demonstrated how well it can mesh with other flavours.
2. Canadian Club & Papua New Guinea
Rye is an unfamiliar flavour for Irish whiskey drinkers. The makers of Canadian Club describe their entry level whiskey as "smooth" but the first time I tried it, "smooth" was not one of the words that occurred to me. I didn't go for it. I persevered, however, becoming accustomed to the taste and now quite enjoy it.
I didn't expect the room to take to it immediately but it was a chance to see if the accompanying chocolate (Papua New Guinea - 70% pure plantation dark chocolate featuring notes of pepper creating a very intense full bodied chocolate flavour) could overcome that.
In truth, we originally matched this one with an Ivory Coast chocolate (40% pure plantation milk chocolate striking a balance between the bitterness of the cocoa bean and creamy milk chocolate) but these were in short supply by the time the tasting came around. The Papua New Guinea worked well until the finish, when the bitter cocoa dominated, upsetting the balance.
3. Jim Beam Devil's Cut & Salted Caramel
Never mind the whiskey, the combo of salt and caramel blew me away the first time I tried it in the Cocoa Atelier shop.
I think salted caramel with this bourbon works well but it was the least favourite match of the night.
I'm quite fond of Devil's Cut, by the way. One of the side-benefits of Beam's acquisition of Cooley has been better access in Ireland to products like this from Beam's portfolio.
4. Jim Beam Red Stag & Almond Crunch
I'm sure the whiskey purists were appalled when they realised what was in front of them but this black cherry-infused whiskey has kickstarted a whole new whiskey sub-category. In contrast to the demographic bourbon normally reaches (slightly older white males), this sweeter drink appeals to younger men & women equally, and reaches the Hispanic and African-American drinker too.
Since Beam released this in 2009 we have seen flavoured whiskeys from competitors like Jack Daniel's and Bushmills. Beam itself has released other variations under the Red Stag label. Flavoured whiskey will be around for a while.
It's a nice drink but probably a little sweet and sticky to take neat. Predictably it didn't garner any votes as the favourite whiskey of the night. The combination with the Almond Crunch (diced almonds in a praline base coated in dark chocolate), however, was the hit pairing of the evening.
5. Compass Box Orangerie & Venezuela
This was another flavoured whiskey from reputable Scotch blender, Compass Box. A high-end example this time, infused with the "hand-zested peel of Navalino oranges and subtle accents of Indonesian cassia bark and Sri Lankan cloves".
The website for Orangerie suggests a dark chocolate accompaniment and that's what we had - Venezuela (70% pure plantation dark chocolate from Venezuela revealing spicy and floral notes).
6. BenRiach 12 year old & Blackcurrant
If you add orange zest to a whiskey it suddenly ceases to be a whiskey, legally speaking. There are traditionally accepted methods of adjusting the flavour, however, that fall within the legal bounds. One of those is the choice of cask used to mature the spirit.
I wanted a good example of a sherry-matured whiskey in the line-up to get the dark fruit flavours typically associated with such casks. I asked around and BenRiach got good notices so I picked this one up (Ally in the Celtic Whiskey Shop was especially effusive about the 12 year old).
Coincidentally or not, we found it meshed with a dark fruit-based chocolate, Blackcurrant (dark chocolate filled with a strong blackcurrant ganache using puree of blackcurrant, decorated with blackcurrant paint strokes).
7. Connemara
I've always been disappointed with food products that claim to contain whiskey (whiskey marmalade, whiskey truffles, whiskey fudge, etc). They never taste of whiskey. My guess is that they are aimed at the majority of consumers who don't actually like whiskey so the makers only add a dash.
For the Irish Whiskey Society, then, I asked Cocoa Atelier if they would make us a chocolate that tasted unambiguously of whiskey. I supplied them with a bottle of smoky, cask strength (58%) Connemara single malt.
The early sample of this that I tried was unmistakeably whiskey-laden. The ones we had on the night were not, I have to admit. So this ambition was not entirely fulfilled. At least it gives us something to shoot for next year!
It's a standard that doesn't seem to apply to wine. We know that some wines are good in the hand at a cocktail party, others better kept for washing down the roast duck.
When I do whiskey and food matchings I'm reminded that I'm not getting as much from whiskey as I might. If I combine a sample of whiskey with something else with a complex flavour profile, I can create something new. The whole is not the sum of the parts. It might be better, it might be worse, but it will be something different, and worth exploring.
That bottle on the shelf that I'm avoiding, that's an opportunity, a challenge to figure out what to put alongside its contents that will transform them into something sublime. I could try anything with some complexity, like cheese, chocolate, or even another whiskey.
Last week I co-presented the Irish Whiskey Society's third annual Whiskey & Chocolate tasting with Clementine Agron of Cocoa Atelier. It was the perfect chance to take whiskey out for a well-deserved spin in the wider landscape of flavour. We had plain whiskey, flavoured whiskey, single plantation chocolate, flavoured chocolate and even a whiskey-flavoured chocolate.
I deliberately picked the widest range of "whiskey" (not every bottle was strictly a whiskey) flavours with the (unstated) intention that there would be at least one or two that people did not like. My hope was that the accompanying chocolate would transform that whiskey into something far more pleasurable.
I think that worked out because the least preferred whiskey of the night (the cherry-flavoured bourbon) was also one half of the favourite whiskey-chocolate combination. (You can see all the votes here.)
It took some trial and error to come up with the matches listed below. If you live in Dublin, you might like to try the Cocoa Atelier chocolates with their suggested spirit partners (here are six more from last year). Or just use these pairings as inspiration to discover your own.
Incidentally, Gay Byrne shared his thoughts on the tasting on his Sunday radio show. You can hear the excerpt here (.mp3).
1. Glendalough Poitín & Almond Rocher
2013 is awash in Irish poitíns. I count five brands on the shelves right now with more on the way. This could either be the peak year for the category or the start of something big if drinkers notice and embrace it. I wanted, therefore, to put poitín on the society's radar and included the Glendalough.
It's made from malted barley (and sugar beet) but tastes entirely unlike whiskey so I wasn't sure if it would combine well with chocolate. The Almond Rocher (diced almonds in a praline base coated in milk chocolate) dispelled my doubts entirely.
If poitín succeeds it will be as a cocktail ingredient. I think we demonstrated how well it can mesh with other flavours.
2. Canadian Club & Papua New Guinea
Rye is an unfamiliar flavour for Irish whiskey drinkers. The makers of Canadian Club describe their entry level whiskey as "smooth" but the first time I tried it, "smooth" was not one of the words that occurred to me. I didn't go for it. I persevered, however, becoming accustomed to the taste and now quite enjoy it.
I didn't expect the room to take to it immediately but it was a chance to see if the accompanying chocolate (Papua New Guinea - 70% pure plantation dark chocolate featuring notes of pepper creating a very intense full bodied chocolate flavour) could overcome that.
In truth, we originally matched this one with an Ivory Coast chocolate (40% pure plantation milk chocolate striking a balance between the bitterness of the cocoa bean and creamy milk chocolate) but these were in short supply by the time the tasting came around. The Papua New Guinea worked well until the finish, when the bitter cocoa dominated, upsetting the balance.
3. Jim Beam Devil's Cut & Salted Caramel
Never mind the whiskey, the combo of salt and caramel blew me away the first time I tried it in the Cocoa Atelier shop.
I think salted caramel with this bourbon works well but it was the least favourite match of the night.
I'm quite fond of Devil's Cut, by the way. One of the side-benefits of Beam's acquisition of Cooley has been better access in Ireland to products like this from Beam's portfolio.
4. Jim Beam Red Stag & Almond Crunch
I'm sure the whiskey purists were appalled when they realised what was in front of them but this black cherry-infused whiskey has kickstarted a whole new whiskey sub-category. In contrast to the demographic bourbon normally reaches (slightly older white males), this sweeter drink appeals to younger men & women equally, and reaches the Hispanic and African-American drinker too.
Since Beam released this in 2009 we have seen flavoured whiskeys from competitors like Jack Daniel's and Bushmills. Beam itself has released other variations under the Red Stag label. Flavoured whiskey will be around for a while.
It's a nice drink but probably a little sweet and sticky to take neat. Predictably it didn't garner any votes as the favourite whiskey of the night. The combination with the Almond Crunch (diced almonds in a praline base coated in dark chocolate), however, was the hit pairing of the evening.
5. Compass Box Orangerie & Venezuela
This was another flavoured whiskey from reputable Scotch blender, Compass Box. A high-end example this time, infused with the "hand-zested peel of Navalino oranges and subtle accents of Indonesian cassia bark and Sri Lankan cloves".
The website for Orangerie suggests a dark chocolate accompaniment and that's what we had - Venezuela (70% pure plantation dark chocolate from Venezuela revealing spicy and floral notes).
6. BenRiach 12 year old & Blackcurrant
If you add orange zest to a whiskey it suddenly ceases to be a whiskey, legally speaking. There are traditionally accepted methods of adjusting the flavour, however, that fall within the legal bounds. One of those is the choice of cask used to mature the spirit.
I wanted a good example of a sherry-matured whiskey in the line-up to get the dark fruit flavours typically associated with such casks. I asked around and BenRiach got good notices so I picked this one up (Ally in the Celtic Whiskey Shop was especially effusive about the 12 year old).
Coincidentally or not, we found it meshed with a dark fruit-based chocolate, Blackcurrant (dark chocolate filled with a strong blackcurrant ganache using puree of blackcurrant, decorated with blackcurrant paint strokes).
7. Connemara
I've always been disappointed with food products that claim to contain whiskey (whiskey marmalade, whiskey truffles, whiskey fudge, etc). They never taste of whiskey. My guess is that they are aimed at the majority of consumers who don't actually like whiskey so the makers only add a dash.
For the Irish Whiskey Society, then, I asked Cocoa Atelier if they would make us a chocolate that tasted unambiguously of whiskey. I supplied them with a bottle of smoky, cask strength (58%) Connemara single malt.
The early sample of this that I tried was unmistakeably whiskey-laden. The ones we had on the night were not, I have to admit. So this ambition was not entirely fulfilled. At least it gives us something to shoot for next year!
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