Friday, 29 August 2008

Mixers: red lemonade

Red lemonade? I mentioned it briefly in the last post but it deserves an article of its own. Every Irish person knows that fizzy lemonade comes in two varieties - red and white (or brown and white in Northern Ireland). Outside Ireland, red lemonade is unknown.

I'm not sure who originated the drink. Perhaps it was Nash's, a Limerick soft drinks company founded in 1875. According to their website:
One product, however, has remained favourite locally – Nash's Red Lemonade. No farm worker's lunch was complete without a bottle of the unique fiery coloured drink. To this day the formula for this refreshment remains a closely-guarded family secret.
It's a lemon-flavoured drink but distinct in taste from white lemonade. As a drink on its own it is not very popular these days but it's commonly used as a mixer, especially in whiskey. In the 1980s, Paddy whiskey was the first major brand to encourage the use of mixers in a very successful campaign.


To this day, you can order a "Paddy and red" or "Jemmy (Jameson) and red" in any Irish bar.

Several companies make red lemonade today, besides Nash's. One of those is C&C, whose TK brand I was using as a mixer in the Dundalgan test. C&C also happen to own the Tullamore Dew brand of whiskey.

TK red lemonade was the only brand I could find in my local supermarket so this was the one I used in the Dundalgan test. Unfortunately it tastes pretty awful, with that familiar aftertaste characteristic of artificial sweeteners. For some reason TK contains sugar, aspartame and saccharin and the result is just as good as you would expect.

Don't let that put you off trying a whiskey and red though. The version available in bars is unlikely to be TK and is, I hope, of better quality. I'll keep an eye out on my field trips and report back.

Thursday, 28 August 2008

Dundalgan whiskey

As we slide inexorably into recession the German discounter, Lidl, has suddenly become the Irish supermarket shopper's best friend. An elegant weblog, Lidl Treats, shows us tasty morsels we can create from the unfamiliar cut price brands.

Recently, Lidl Treats has been reviewing wine. Inspired by their example, I grabbed a bottle of Dundalgan, Lidl's own brand of Irish whiskey. Dundalgan is a historic place name from County Louth so it's not hard to guess that this whiskey is made by Louth distiller, Cooley.


At €18.99 for 70cl (compared with about €26.99 for Jameson) we might guess that this is pretty young whiskey. Nevertheless, the nose is not unpleasant - a synthetic, new car interior smell.

It all falls apart on the palate, however. There is no centre to the whiskey, and a slight bitterness around the edges. It's not redeemed by the finish either. This is not a whiskey to be drunk neat. It is most definitely not a drop in replacement for Jameson.

But I didn't really expect to find a great sipping whiskey on the shelves of Lidl. It's far more likely that Dundalgan will be served with a mixer, or at least with ice. So let's not write it off yet.

A good whiskey should never be taken with ice since this dulls the taste buds, and also waters down the drink. But that could work to our advantage here. A few cubes of ice and... we are no better off. This Dundalgan is remarkably persistent stuff. For comparison, ice kills the initial Jameson taste dead but you still get a warm, round, mouth-filling finish that is perfectly enjoyable in a social setting.

How about ginger ale? Aha, now we are getting somewhere! This mixer seems to supply the missing centre and it neutralises the bitterness. This works! And that's with only one part ginger ale to one part whiskey. I'll even go as far as to say that I preferred Dundalgan to Jameson in this test.

To finish, I tried Dundalgan and red lemonade, a popular mixer in Ireland. I didn't like this but I didn't like it in Jameson either. Maybe I just don't like red lemonade.

Sunday, 24 August 2008

Cocktail recipes

The recent whiskey tasting and cocktail demonstration was rather more whiskey than cocktail for me. But for those who like their drinks colourful, here are the cocktail recipes from that night. Michael Foggarty didn't name his creations so feel free to offer suggestions in the comments.

The first has a bunch of mint leaves in it so start as if you were making a mojito and muddle that mint.
  • 35ml Tyrconnell whiskey
  • 100ml cranberry juice
  • 5ml sugar syrup
  • 12 mint leaves
  • juice of half a lime
  • garnish with a lime wedge
The second exploits the classic combination of whiskey and apple juice. Not so tradtional is the use of a peated whiskey, Connemara.
  • 30ml Connemara whiskey
  • 20ml Poire William liqueur
  • 100ml pressed apple juice
  • stem of rosemary
  • grated cinnamon
  • garnish with a cinnamon stick and a sprig of rosemary

Saturday, 16 August 2008

Educate your taste buds

An evening class in University College Dublin this autumn might interest local whiskey enthusiasts. A Diageo flavour scientist will introduce particpants to The Science of Taste and Aroma.

It begins on Sep 30, lasts ten weeks and costs €185.

Friday, 15 August 2008

Whiskey sightings

Update Tuesday, September 30: I checked Milroy's assertion that their 16yo single grain was distilled from unmalted barley. According to the horse's mouth (ie Cooley), Cooley's grain whiskey has always been made from maize.

I have also updated the number of bottles of the Jameson Single Cask produced. I was initially supplied with two figures: 150 and 70. 70 was subsequently confirmed as the correct one.



A couple of interesting bottlings surfaced recently.

One is a single cask, single grain whiskey from Cooley, bottled for Milroy's of Soho. It was distilled in 1991 and bottled after 16 years. That makes it a little older than Cooley's own 15yo single grain under the Greenore label. There are only 264 bottles in this release.

It's also notable for being distilled from unmalted barley, rather than the maize Cooley uses these days. [Update: that's an error on Milroy's part. It is indeed maize-based.]

The other whiskey is even rarer and was generally unknown until a bottle turned up on The Whisky Exchange. It's a single cask, cask strength (60.3%) Jameson, distilled in 1990 and bottled in 2006. An Irish Distillers source tells me that 70 between 70 and 150 [updated after clarification from Midleton] bottles were produced and that these were presented to guests at a special function at the distillery. It was never put on sale though one bottle is on display in the visitor centre at the Old Midleton Distillery.
It's hard to see the label in this picture but it is signed by the master distiller, Barry Crockett, and it states:
Rare pot still Irish Whiskey. I have personally selected this single cask from our rarest reserves for a special bottling to honour the visit to Ireland of our distinguished visitors from the United States of America.
The bottle on The Whiskey Exchange was quickly snapped up, by the way.

Hat tip to noted collector, John Marrinan, for bringing both of these to my attention.

Wednesday, 6 August 2008

Free whiskey tasting in Dublin

Michael Foggarty of the Celtic Whiskey Shop will be hosting an Irish whiskey tasting this coming Monday. The tasting will be followed by a demonstration of how whiskey can be used in cocktails.

It sounds like mixological madness to me because Michael promises to use a peated whiskey, Connemara, in his creations. Still, I'm willing to be persuaded.

The event is open and free to all at The South William Bar, South William Street, Dublin 2, at 7pm.

Saturday, 2 August 2008

Review: Bushmills, 400 Years in the Making

When launching this website I had several reasons for believing there would be enough Irish whiskey news to report on. Jameson had become one of the leading global spirit brands, and would doubtless drag the Irish whiskey category along behind it. Cooley had been distilling continuously for enough years that it could finally put out some great matured malts. And Diageo had recently taken over Bushmills.

Before Diageo's arrival, Irish Distillers Ltd (IDL) had for decades a stranglehold on Irish whiskey production. It was only Irish competition law that stopped them from snuffing out Cooley in the mid-1990s but it hardly mattered. All the big brands either belonged to IDL or were made under contract by IDL - Jameson, Powers, Tullamore Dew, Bushmills ...

Pernod Ricard, IDL's parent, chose to put most of its efforts into promoting Jameson, leaving the other brands, like Bushmills, ticking over.

In 2005, in one of those typically complicated multinational drinks deals, Pernod sold Bushmills to Diageo. Suddenly the game was on. Diageo was new to Irish whiskey but could draw upon substantial experience in Scotch manufacture. Of course it also had the distribution and marketing muscle to challenge Pernod globally in the formerly uncontested category of Irish whiskey.

Since then Diageo has poured cash into Bushmills. The equipment is being refurbished and expanded. The distillery now operates seven days a week, up from three. They expect to double output over the next five years. Of course we have yet to see the fruits of this investment since whiskey takes many years to mature and Diageo has only been running the show for three. But it's a time of renewed vigour for the Co. Antrim distillery and so it's apt that a new book on the company has just been published.


The excuse for releasing Bushmills: Four Hundred Years in the Making is the 400th anniversary of the first official license to distil granted to the Bushmills area. But it couldn't come at a better moment as the stills work overtime and the company readies for an epic battle with Jameson.

The author, Peter Mulryan, was commissioned by Bushmills to create this commemoration of a distinguished history. This echoes the genesis of the last book on the distillery, Spirit of the Age: Story of Old Bushmills, published a generation ago. Then, on the 375th anniversary, Alf McCreary was asked by the managing director to record the oral history of the workers, many retired, who knew the distillery intimately.

McCreary's book is a valuable reference, full of anecdotes and personal sketches of the locality and the characters associated with the distillery. It is also thick with facts and figures, meticulously sourced and annotated.

The new book covers much of the same ground but Mulryan has stripped out the fog of detail and personal reminiscences to fashion a tight and coherent narrative while omitting nothing of importance. This is no mean feat. Bushmills has been buffeted by many forces, political and economic. As if the story does not have enough twists and turns to follow, the researcher is also confounded by the destruction of distillery records on two occasions - in 1885, when the distillery burned to the ground; and again in 1941, courtesy of the Luftwaffe. Some basic facts are, as a result, unknowable. For example, why did Bushmills switch, in the late 19th century, to manufacturing malt whiskey, a style not associated with Ireland?

Mulryan firmly places Bushmills in the context of its times. The book describes the effects of two world wars, the temperance movement, Prohibition, the partition of Ireland and the subsequent "Troubles". He also tracks the company in and out of bankrupty, through the hands of numerous owners and laments the many lost business opportunities, not only for Bushmills, but for Irish whiskey in general.

The marketing missteps of the twentieth century eventually resulted in the consolidation of ownership of all Irish whiskey brands under the umbrella of Irish Distillers. Happily for the Bushmills factory, it escaped the fate of the other handful of Irish distilleries still operating in the late 1960s. They all fell silent, their output replicated in a shiny new industrial facility in Midleton, Co. Cork.

It's a complicated tale but Bushmills: Four Hundred Years in the Making divides it up into many short, digestible chapters. The story of Bushmills is really the story of Irish whiskey and this book would be an excellent introduction to that topic. In fact, I cannot think of any other book currently in print that covers the subject in as much detail.

The book is generously illustrated with old advertisements and photographs of the distillery in operation through the years. It is beautifully produced; the only shame is that it did not receive a final proofing to eliminate the remaining typos.

Of course, I cannot end without mentioning the spirit itself. Peter Mulryan is a noted whiskey writer and he provides plenty of delicious detail for the whiskey anorak, for example the name of the particular bodega in Jerez that Bushmills sources its sherry casks from. There is also a chapter at the end of the book devoted to the making of whiskey and a guide to the individual bottlings that Bushmills produces.

Bushmills has had an eventful history. But I suspect, with its new management, that it might be entering its most interesting phase yet.